The works of Martha Atienza and Darcell Apelu in this exhibition operate through satire and subversion as forms of resistance against hostile forces. In Anito 1 (2011–2015) and Anito 2 (2017), Atienza documents a Christianized animist festival held on Bantayan Island, where she lives. During the Ati-Atihan festival, members of the local community respond to often contentious current events through parody and performance, using costumes and acts of impersonation as a way to comment on social and political realities.